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Joyce Norwood
Once Upon A Time, 16x12
Rudolph II, 48x48
The Red Dress, 12x12
William's Yellow Bucket, 12x12
Katherine, 36x24
Teal Adrift, 12x12
Sassy, 48x48
Oars Up, 30x30
Sunlit Afternoon, 16x12
Kira at the Shore, 48x48
Blonde Top Knot, 12x9
My Anchor Holds, 30x30
The Orange Bucket, 24x20
Thinking It Over, 36x24
Happy Days, 40x30
Boy Shelling, 20x16
A Loyal Friend, 48x48
The Pink Sash, 48x48
Summer Flowers, 40x30
Calm Waters, 30x30
Beach Balloon, 12x12
Making Memories, 12x12
Sassy, 48x48
Balloon Fun, 48x24
Forever Faithful, 48x48
Beach Delight, 12x12
Mountain Sunflowers, 40x40
Best Friends, 12x12
Debut, 20x20
Serenity, 30x40
Kira's Balloon, 30x24
Morning Light, 60x48
Blue Bucket, 30x30
Beach Day, 20x20
Curiosity, 30x24
Catching the Wave, 20x16
Me and My Shadow, 30x30
My Sailboat, 16x12
Oars Up in Blue, 24x36
Happy White Dress, 12x12
Rudolph I, 48x48
Mom's Helping Me, 12x16
My Red Pal, 12x20
Beach Dancer, 12x12
Off and Running, 30x24
Carefree, 36x24
Crimson Tide, 48x48
My Pink Umbrella, 12x9
Red Boat, Stern View, 12x16
A native of North Carolina and one of ten girls, Joyce always loved to draw especially from the human figure. Her education began at the New York Art Student’s League, studying under Robert Brackman and William Draper.
Intrigued with the impressionist approach to full color, Joyce was directed by Charles Sovek to the Cape Cod School of Art in Provincetown, which was founded by Charles Hawthorne. There, her eyes were opened to how light affect color and how to see and interpret that light, thereby creating her radiant palette. While spending time at the Cape, Joyce was personally mentored by the American impressionist Sam Barber, who was the protégé of Henry Henche.
Joyce works in oils, using painting knives as well as brushes. Her favorite subjects include: figures, boats and floral still life. Joyce Norwood offers a different approach to landscape. Her palette knife technique, use of vibrant color, and keen eye give her work a freshness that has not been seen before. Joyce has won many regional awards for her work and is recognized for her outstanding use of color and subject matter.
Joyce says of her work “I love to paint everything beautiful under the sun, and my luminous paintings are a reflection of my spirit and positive approach to life”.