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Richard Lane
Coronet and Dauntless, 11x14
Passing Castle Hill Light, 11x14
Columbia and Shamrock II, 11x14
Reliance, 11x14
The Mighty Reliance, 11x14
Yacht America Passing Castle Hill, 30x40
Columbia vs Shamrock I 1899, 18x24
Coronet and Dauntless, The Great Ocean Race, 30x40 copy
Yacht Volunteer in Newport, 1888, 30x40
Columbia Rounding the Mark, 11x14
Westward, White Heather, and Brittania 1912, 24x36
Hesper Leaving Port, 12x16
Reliance vs. Shamrock III, 18x24
Reliance vs. Shamrock III, 30x40
Richard Lane developed an interest in marine art and history at a very young age, spending summers in Cape Cod and Nantucket. He studied Fine Art and Illustration at the School of Visual Arts in New York City. After receiving his Bachelor's of Fine Art, Lane worked for ten years in a decorative design studio in New York City, specializing in trompe l'oeil, murals and oil paintings. In 1994, he gave up his career in the decorative arts to devote full time to painting his favorite subject. Lane's keen interest in American nautical history has been the inspiration for his work as a Fine Artist. It is the romantic yet powerful yachts of past America's Cup races, as well as the graceful fishing schooners of Gloucester and Boston that he so effectively captures on canvas. Lane does extensive research for his paintings, using museum ship models, old photographs from museum archives, and actual blueprints of the boats themselves. Fifteen years ago, he started building wooden ship models from scratch so he could understand the construction of the boats and the mechanics of the rigging. Lane is a member of the Ship Model Society of Northern New Jersey. He strives for absolute accuracy in his paintings, and a years' work, on average, produces a maximum of 8-9 canvases.