
Tim Thompson
Weatherly & Gretzel, 10x12
Harold Vanderbilt's 12 Metre Yacht at Castle Hill, 12x16
Coming Home Against Ebb off Castle Hill, 24x30
Sloop Becalmed off the Needles, Isle of Wight, 30x40
America Arrives at Newport, 10x12
Beating Out Past Clingstone, 8x10
Running Past Castle Hill, 8x10
Enterprise and Shamrock V, 10x12
Columbia off Jackie Kennedy's Hammersmith Farm, 16x20
Yachts in Brenton Cove, 12x16
Off Fort Adams, 12x16
America's Cup Trials at Newport, 1937, 12x16
Ranger beats Rainbow, 12x24
Northern Light and Gleam, 18x30
Newport Rendezvous Brenton Point, 24x48
A Warm Westerly Breeze off Castle Hill Light, 20x30
Sisters, 24x30
America Glides through the British Fleet, 30x40
Brenton Cove, 30x40
A Lifting Mist, 36x48
Tim was born in Hull, Yorkshire but spent his early years in the Channel Islands. On Herm his home, Belvoir House, was 2 minutes from the sea and so he had an all year round view of the sea in all weathers and has called on those memories many times in his career. Tim’s art has been collected by marine art connoisseurs around the world. His work is in the collections of many British, American and European Captains of Industry including Ted Turner, Wm. Koch and David Rosow.
His book on the America’s Cup has a foreword by Ted Turner and his RNLI Gold Medal Rescue book was commended by Queen Elizabeth the Queen Mother. He was commissioned by the Royal Navy and his largest individual work still hangs at HMS Drake. He has had a limited edition print signed by HRH Prince Philip. He has produced work for European Royalty and HRH Prince Charles and Diana The Princess of Wales attended his America’s Cup Exhibition in London. Tim’s largest project has been the America’s Cup, depicting a dramatic moment from each winning race to date.
He has painted Arabian Dhows and historic craft off Oman and around the Arabian Gulf. He worked with the Vasa Museum to show the ship as she would have appeared in her original red livery. He has also been the Official Artist to one of the BOC Races and some of the America’s Cup races.
Tim works mostly in oils on fine linen canvas or board. Before he begins a painting, his research is extensive, reading through contemporary accounts, ships logs, plans, coastal profiles, weather conditions etc.
Tim is self-taught and uses traditional oil techniques, rather like the methods used by the old dutch marine artists, applying thin washes to achieve an almost translucent effect rarely seen in contemporary marine art.
Tim’s work is as accurate as he can make it and he finishes each canvas with his painterly interpretation.